STONEWARE GLAZES
In this colourful range we feel every taste has been catered
for, from the vivid Hyacinth Blue through to Wood Ash. The art of reduction
firing may be practiced with this range. The colour chart of these glazes shows
the expected results on our No.10 Stoneware fired under oxidizing
conditions to Orton Cone 10.
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30-CLEAR GLOSS
under reduction on white bodies gives a
pale celedon |
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32-WHITE GLOSS
develops interesting colour effects and
speckles. good covering capacity |
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33-WHITE SATIN
reduction gives very good frosty
colour; bleeding effects on coloured bodies |
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39-COPPER RUST
aqua green if thinly dipped and deep
pewter where thickly applied, many colour variations depending on colour
of body used |
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41-MOTHER OF PEARL
little change under reduction on white
bodies, gives bluish green mottle effects on coloured bodies
particularly under reduction |
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45-TENMOKU
stable under reduction and on darker
bodies
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49-GREEN GRANITE
less speckle under reduction, a soft
stone blue marble effect on white bodies. not recommended on dark
bodies.
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91-TOMATO RED
better under reduction on all bodies,
showing beautiful shot silk reds & browns.
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93-HYACINTH BLUE
under reduction is a superb blue-white
mingle, better than under oxidation. covers dark bodies completely.
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These glazes are available in both powder and liquid forms.
The powders come in 500gm, 1 kg 5 kg and 25 kg bags except where marked. The liquids come in
500mL, 1 l L, 5 L and 10 L containers.
All these glazes are very stable under both oxidizing and
reducing conditions. Very many variations of colour and effects can be produced
by using the different coloured and speckled bodies. All of the glazes are
intermixable, allowing double dipping, mottling, pouring on or painting on of
different glazes over or under another glaze. This gives an unlimited personal
palette range. Underglaze or colours added to areas will give another palette of
effects.
All of these glazes fire between 1280-1300°C.
