under reduction on white bodies gives a pale celedon

develops interesting colour effects and speckles. good covering capacity

reduction gives very good frosty colour; bleeding effects on coloured bodies

under reduction & on coloured bodies develops interesting mottle variations

on coloured bodies and/or under reduction metallic and crystalline effects can appear

aqua green if thinly dipped and deep pewter where thickly applied, many colour variations depending on colour of body used

little change under reduction on white bodies, gives bluish green mottle effects on coloured bodies particularly under reduction

under reduction on white bodied changes to a smoky dark mottle over a grey cream base. on coloured bodies, depending on thickness shows brown intrusions through the base colour.

not recommended for reduction firings.

stable under reduction and on darker bodies

not recommended on darker bodies or reduction firing

under reduction a superb speckle satin, brown beige.

less speckle under reduction, a soft stone blue marble effect on white bodies. not recommended on dark bodies.

reduction produces no change of colour, dark bodies give a pronounced blue-beige mottle

under reduction becomes a beautiful soft tenmoku.

under reduction on white bodies is a metallic brown.

under reduction is a beautiful true celedon, in oxidation is a pale honey.

under reduction changes to a pearl matte, on dark bodies shows superb colour bleeding and specking as a matt surface.

better under reduction on all bodies, showing beautiful shot silk reds & browns.

under reduction is a superb blue-white mingle, better than under oxidation. covers dark bodies completely.

* denotes glaze powder only available in 25 kilo bags